actually this smells on Gypsy song, Roma in balkans have split if not multi personality in context of ethnic belongingness [1] yet as always were labeled here by locals as Gyuptsi (Egyptians) kind of, So, it could be seen as song for some Gypsy Girl, black Athena comes to mind 
the point tho swirls around the rembetiko style [2] so guess hashish are those gypsy eyes, dont want to think about opium, let say Ouzooo lovers [3] submerge in nargile vibes [4] is this true not sure, the wild guessing goes strictly coz Rembetiko as south balkan maqam … here in the quote is g.a.i. kick [5]
again …
5 leaf herbal summer smelling
“Misirlou” (Μισιρλού) is a famous Eastern Mediterranean folk song rooted in early rebetiko and tsifteteli styles. The earliest known recording was made in New York in 1927 by Greek rebetiko artist Tetos Demetriades, with composition credits often linked to Nikos Roubanis. [1, 2, 3, 4, 5]
History and Meaning
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Name origin: Derived from the Turkish word Mısırlı (from Arabic Misr), meaning an Egyptian person.
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Lyrical theme: A passionate, counter-cultural love story about a Greek man deeply in love with an Egyptian woman.
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Musical style: Originally structured as a slow, minor-key Eastern-influenced rebetiko dance tune played with traditional Mediterranean instruments. [1, 2, 3, 4, 5]
Evolution into Global Pop Culture
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Mid-century covers: Grew popular across Greek-American, Middle Eastern, and US lounge music circles through artists like Jan August in 1946. [1, 2]
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Surf Rock breakthrough: Transformed into an iconic high-energy instrumental by Richard Dale in 1962, inspired by Middle Eastern oud playing. [1]
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Modern resurgence: Re-entered mainstream global consciousness via Quentin Tarantino’s 1994 film [Pulp Fiction] and sampling by The Black Eyed Peas. [1]
and again and again …
the next one think its not the same song, tho lets say similar macedonian version played by Chalgiya Ochestra [1] of the same Maqam style, interestingly as sufi trance influence on this peninsula, i.e. its not hidden that jins (demons) are intervals in maqams [2][2][2] even more the same there is some info it were introduced later on west as well [3][3] lets say music universalis in oriental style … yeah universalists [4] the thing is that the trance state is rarely achieved, unless someone is indeed in love with this style, usually by dance [5][5] but also vibrating in galop to the songs, plus to lubricate the nous with oily spirits, and voila the dragon will take U on its wings, thats why its useful always to have some Cross around, so would enjoy the vibe but not carried away … practically this makes the macedonian chalgiya unique as deprived from such trance brainstorming but as Orthodox Christians embraced the exotic sound and form from ottomans as arabic influence, yet here the accent was always deprived from the oriental world coz was bearing typical local influences in various ways, from traditional dances that accompanied the music, also ultra alcohol consumption that deprives the sensual trance flow, up until nonconsumation of hashish or opium etc. alike specifics, but also inner spiritual divergence from that of the mystic islam of sufis!
