She's Got it...In Spaids

I only discovered her a few weeks ago and have been listening since.

She has it. Whatever you want to call “it” It’s an innate ability. She came with it. And there are video’s of her at age 12 playing saxophone where she was doing “it”

See, were told that jazz musicians looked like this…

Not any more.

We were told that it is an American music grown out of the black experience. Not really. In part, maybe.

Now the top practioners of this art form look like this

You thought they all had scratchy voices with a cigarette hanging from their mouth?

We were told the blues was born from the black experience and that a white man didn’t have that archetype or experience to play the music authentically?

Oh, yes we were. It’s in the literature.

Are you sure??? Have you heard little young Junxi Yu play JohnLee Hooker better than Hooker?

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Nobody Loves Me but My Mama and She be Jiving too might be a universal experience?

I ain’t got a dime in my pocket but I got a pie in the oven?

Sure, blues and jazz i might have been born in New Orleans and travelled up the Mississippi River but I’m telling ya it’s been globalized. And you can’t tell who has it and who doesn’t by their face.

They are going to have to rewrite all the literature if people who never picked cotton can somehow replicate the music as well as it’s inventors.

She has three things that are rare.

Melodic Invention, Harmonic sophistication, and feeling/rhythmic invention and placement. Without a trumpet sound that sounds like she spent her entire life doing Arban and Herbert Clarke exercises, spent 4 years and Julliard and really is a classical musician faking being a jazz musician. It doesn’t work. Her sound is gritty and some coach is going to come along and give her a new fangled trumpet and some tone exercises and ruin it for us.

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Everybody gets the blues, sometimes. Let me tell ya bout it.

Oh you said Spades :smiley:
david spade

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There was a deeper message underneath the musical example.

I don’t think there are alot of jazzers here.

Suffice to say, wokism found it’s way into the arts. All the Arts.

They began to institutionalize jazz.

They built pretty buildings funded by black entrepreneurs to retain the valuable history written the way they wanted to write it.

Just like it infiltrated classical music. Chicago Symphony Orchestra, San Francisco Symphony, Detroit Symphony Orchestra etc… all created targeted recruitment of minority. Before that it was blindfold auditions. Merit based. If you could play, they would pay. But they found merit based hurt some races. Yes, the New York Times pushed this new recruiting practice. Merit based, blind fold auditions, actually helped women as their hiring into orchestra’s rose 6%. That rid orchestra’s of sexism.

Institutionalizing music is a bad idea especially government funded projects. If people want to forget, let them forget. Just like classical music, people go who couldn’t tell ya the difference between Bach and Rachmaninoff, or Louis Armstrong and Kenny G.

Miles told it like it is. I can’t play the blues because I’m black and poor. That’s ridiculous. My fathers rich and my momma good looking. I never suffered a day in my life but I can play the blues.

I paraphrase. “How dare you tell me that I can play music because I’m black. I can play music because i worked hard and studied” Word!!

But his observation that white guys lag the beat a little more than black guys is something of interest. He was the premium employer of enough white guys to know. He was a merit based employer. There were no slackers in his band.

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I agree on the detrimental effects of ‘patronising’ the Arts via the gov etc. Npr is a joke and CPR classical here may be occasionally good but it’s it’s own kind of censorship. Repeat of the same 15 classical pieces interspersed by garbage, simply because its American or Minority.
The jazz station here is good but its a local nonprof. KUVO

Miles Autobiography is great. I have to reread it.
I want to read Dizzys also.

I wrote an essay on Bird in school :slight_smile:

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